ところで、大塚国際美術館では玄関、大エスカレーターを昇ったところでシスティナ禮拝堂を模した大壁画が迎えてくれます。
　ナイフの扱いについて、もう一人の巨匠ミケランジェロは彼の晩年の最高傑作「最後の審判」で大画面ほぼ中央、わが身に置き換えたバルトロマイの持つナイフの切先を敢えてキリストに向け、人間社会の堕落を断罪する主（シュ）の瞋（イカ）りのポーズに引き込んでいます。
　そこには全てに於いて語られるレオナルド・ダ・ビンチとのライバルの構図が浮かび上がり、畢竟、バルトロマイの持つナイフはミケランジェロ・ボナローティの挑戦であり、満たされぬ信仰をレオナルドとは違う真正面から向き合ったかたちで表現した彼の回答であると言えましょう。

By the way in the Otsuka International art gallery When you go up taking big escalator in the front entrance of the gallery, you will find a huge mural which is a copy of a picture, original of which is at Sistine Chapel in Batican Palace in Rome.
Concerning how he describe the knife in mural another Renaissance great painter Michelangelo, in his last year's masterpiece work "Last Supper of Jesus" he painted the Bartolomeo in the center of the painting, and Bartolomeo represent Michelangelo.
And he painted Bartolomeo holding a knife and dared to direct the edge of a knife toward Jesus Chirst, and paid attention to an angry pose of Jesus who convicted depraved morals of mankind.

In this painting,Michclangclo bore in mind the painting of his rival,
Leonardo da Vinci. After all, the knife that Barutromai held symbolizes the challenge of Michelangelo Bonalote and this may mean his answer to his unsatisficd religious worship by represonting his religious faith squarely,unlikc Leonardo da Vinch.

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